Tag: Art

Paul Black: Carol

Photographer Paul James Black presents an intimate group of Polaroids and black and white photographs of only one person; his wife Carol. The photographs in the exhibition, Paul Black: Carol, were taken in the first two decades of their marriage and offer an intimate record into their private world in the 1960s and 70s. Carol is the only subject in Paul Black: Carol

Up Close and Personal: Portraits from the Reaves Collection of Texas Art

Bill and Linda Reaves have been avid Texas art collectors for over forty years, and together have assembled an outstanding collection of artwork by 20th century Texas artists. The Reaves Collection of Texas Art reflects the breadth and depth of the collectors’ knowledge of Texas art and artists. This exhibition features a selection of artworks from their private collection focusing Up Close and Personal: Portraits from the Reaves Collection of Texas Art

Hung Liu: The Long Way Home

Hung Liu is known for masterful recreations of historical Chinese photographs. Her subjects over the years have been Chinese refugees, street performers, soldiers, laborers, and prisoners, among others. Liu challenges the documentary authority of the appropriated photographs by reconstructing the narrative through a variety of media. Liu’s initially training in the Socialist Realist style of the Maoist regime is evident Hung Liu: The Long Way Home

Gifts of The Collectors Circle

The generosity and continuing support of the Collectors Circle is the focus of this exhibition featuring works of art purchased and conserved by this outstanding group of Grace Museum supporters. On the evening of February 10, 2019, The Grace Museum celebrated the seventh annual Collectors Circle event. The tradition was established in 2012 by the Exhibitions and Collections Committee of Gifts of The Collectors Circle

William Eggleston: Jamaica Botanical

33 photographs from the 1978 Jamaica Botanical Series Collection of The Grace Museum, Gift of Eddie Green William Eggleston is an American photographer. He is widely credited with increasing recognition for color photography as a legitimate artistic medium. Eggleston’s books include William Eggleston’s Guide (1976) and The Democratic Forest (1989). In the early 50s, William Eggleston (b. 1939 Memphis, TN.) William Eggleston: Jamaica Botanical

Gardens at The Grace: Selections from the Permanent Collection

What do artists Romare Bearden, Charles Taylor Bowling, Ken Hale, Jimmy Jalapeeno, Loren Mozley, Andy Warhol, Dan Wingren, Roger Winter, and Tony Sheets have in common? Clue #1: This is not a trick art history question. Clue #2: It does have something to do with gardens. Answer: Each artist had a work of art on view in Gardens at The Gardens at The Grace: Selections from the Permanent Collection

Et Al: Found Object Features from the Permanent Collection

The fine art of found objects defied the status quo to become a major art movement in the last decades of the 20th century. Inspired by Picasso and Braque’s 1912 experiments with paper and print and Marcel Duchamp’s “readymades”, Dada and Surrealism made anything and everything a medium for serious art making. Appropriation of images from popular culture took the Et Al: Found Object Features from the Permanent Collection

The Jomo Collective: David McManaway and Friends

This exhibition features found object assemblage and artwork created by friends and associates of David McManaway. David McManaway, Jim Love and Roy Fridge, from Chicago, Amarillo and Beeville (respectively) migrated to Dallas, Houston and Port Aransas in the late 1950s and early 1960s. Together they spearheaded a midcentury Texas chapter in the long-standing tradition of assemblage or found object art. The Jomo Collective: David McManaway and Friends

David H. Gibson: The McManaway Studio Project

Photographer David H. Gibson met David McManaway in 1964. A long friendship followed and in 1993 Gibson began documenting McManaway’s extraordinary studio. A visit to McManaway’s studio was akin to stepping into one of McManaway’s works of art; walls, ceilings and table tops covered with carefully selected cultural castoffs silently awaiting a second chance as fine art. Gibson’s photographs of David H. Gibson: The McManaway Studio Project

David McManaway’s Studio Revisited

David McManaway’s Studio Revisited is designed to recreate the experience of visiting the studio that is now gone but certainly not forgotten by those who were privileged see firsthand McManaway’s world. An artist’s studio is typically described as a creative laboratory where all the required tools and materials await the master’s creative transformation into fine art. But, David McManaway’s studio David McManaway’s Studio Revisited

David McManaway: Cult of the Commonplace

“People are always trying to take my work too literally, to list the things that are nothing more than ingredients of my pieces. . . .It’s like gestalt: the whole is always more than the sum of the parts. Most people never go beyond that list of objects to deal with the content, the meaning those objects assume in their David McManaway: Cult of the Commonplace

Paul Manes: Odyssey

Paul Manes is a painter’s painter. The artwork selected for this solo exhibition is the ultimate statement of that fact. Surfaces and subjects morph into singular stunning testaments to Manes’ mastery of oil painting on canvases larger than life. Complex and solitary imagery up close and at a distance shares a haunting immediacy driven by the artist as philosopher paradigm. Paul Manes: Odyssey

83 Years and Counting: Recent Additions to the Permanent Collection

Museums are defined by their collections and exhibitions. Each collection and exhibition has a unique point of view that is carefully shaped by curators, who are always mindful of historical precedents as they look ahead to future developments. The Abilene Fine Arts Museum (now The Grace Museum) began collecting art in 1938 with the stated purpose of collecting important works 83 Years and Counting: Recent Additions to the Permanent Collection

The Grace Collects Women Artists

The fact that the first work of art purchased by the Abilene Fine Arts Museum in 1939 was painted by a woman artist and the fact that the museum was founded through the efforts of local woman’s club members, many of whom were artists, foretell the museum’s long history of exhibiting and collecting artwork by women artists. Paintings, fine art The Grace Collects Women Artists

Margo Sawyer: Reflection On Color

In 2018, The Grace Museum was privileged to acquire Margo Sawyer’s acclaimed 1998 sculptural installation BLUE through an unprecedented collaboration with The Contemporary Austin and the Blanton Museum of Art at The University of Texas Austin. For this exhibition Sawyer installs BLUE in response to The Grace Museum’s unique historical galleries and creates new work as an ongoing conversation with Margo Sawyer: Reflection On Color

Invaluable: Collection Treasures from Past Exhibitions

In the 85 years following the founding of the Abilene Fine Arts Museum (AFAM), with the stated goal of creating an important art collection “for the good of the citizens of Abilene,” the art collection has grown to include more than 2,500 invaluable works of art. Dating from the 13th to the 21st centuries, important paintings, sculptures, works on paper, Invaluable: Collection Treasures from Past Exhibitions