Category: Exhibition

Kate Breakey: Journey

“The exhibition title ‘Journey’ refers to both my own life’s journey, ‘looking’, as well as the visual journey I want to share with you.” -Kate Breakey For this exhibition, Journey, Kate Breakey draws from several bodies of work made over several decades of image making. Breakey has always altered her photographic images. Over her 40-year career, her techniques include hand Kate Breakey: Journey

Magic & Logic: Robert Langham III

“A statement attributed to Ansel Adams is: ‘You don’t take a photograph, you make it’. Robert Langham has embraced that concept and taken his art one step further.” -Geoffrey Koslov, New Visions-Part 1: Still Life Photography, May 22, 2018 Robert Langham’s kinetic still life, logic defying, photographs are made with a magician’s slight-of-hand and the skill of a master-of-the-darkroom. Spending Magic & Logic: Robert Langham III

Divine Order: Conan Chadbourne

Conan Chadbourne studied mathematics and physics at New York University and has worked in experimental physics research, digital imaging and printing, graphic design, and documentary film production. His work is motivated by a fascination with the occurrence of mathematical and scientific imagery in traditional art forms, and the frequently mystical or cosmological significance found in such imagery. Mathematical themes both Divine Order: Conan Chadbourne

Deliberate Distraction: Shawn Smith and Rusty Scruby

ART + SCIENCE = WONDER The common misconception that art and science are so vastly different, that they never overlap, is discredited by two contemporary artists, Rusty Scruby and Shawn Smith, whose work proves that the union of these two disciplines, like the brain’s neuropathways between our right (artistic) and left (analytical) hemispheres, is the sweet spot known as creativity.  Deliberate Distraction: Shawn Smith and Rusty Scruby

Before iPhone: Photography by Paul Sokal

Award-winning photographer and physician, Dr. Paul Sokal MD, explores the rapid pace of technological change through large format color photographs of the relics of once-revolutionary products now replaced by cell phones. According to Sokal, “As our world becomes increasingly complex and technology dependent, I am often drawn back to my mid-century childhood when the world at least seemed simpler. The Before iPhone: Photography by Paul Sokal

The Fine Art of Collecting

Selections from the Judge B. Michael and Elise Chitty Collection Mike and Elise Chitty’s interest in art began shortly after they married in 1977. As of 2017, their private collection consists of more than 400 works of art and artifacts and counting. For the collectors, each object contains the history of creative expression and the experience of discovery.  The couple’s The Fine Art of Collecting

Hispanic Heritage Month – Cultural Heritage Exhibition 2022

The Grace Museum is collaborating with Abilene Christian University’s Introduction to Public History: Interpreting American Pasts course to create monthly exhibitions that coincide with different cultural heritage months throughout the year. These exhibitions highlight the narratives of various cultural groups that are integral to Abilene’s history while weaving these stores into the broader historical fabric of the United States. Hispanic Hispanic Heritage Month – Cultural Heritage Exhibition 2022

Native American Heritage Month – Cultural Heritage Exhibition 2022

The Grace Museum is collaborating with Abilene Christian University’s Introduction to Public History: Interpreting American Pasts course to create monthly exhibitions that coincide with different cultural heritage months throughout the year. These exhibitions highlight the narratives of various cultural groups that are integral to Abilene’s history while weaving these stores into the broader historical fabric of the United States. November Native American Heritage Month – Cultural Heritage Exhibition 2022

Early Photographic Portraits from the Permanent Collection

Capturing a likeness goes back to the earliest of times, however, with the invention of cameras in the 1800s, portraits became more popular and easily attainable. Cartes-de-visite and Cabinet Cards were albumen prints mounted on small cards, typically portraits of the subject. The Cartes-de-visite, invented in France, were smaller cards made between the 1860s and 1870s. A larger portrait, called Early Photographic Portraits from the Permanent Collection

Downtown Revitalization Beginnings: Part II

From the founding of the city through the 1950s, Downtown Abilene was a bustling focal point of the city. However, with the decline of the railroad and growth toward the south, like many cities in the United States, the downtown area saw a decline in business and activity overall despite the municipal presence. By the 1980s, several vacant buildings sat Downtown Revitalization Beginnings: Part II

Citizens at Last: The Woman Suffrage Movement in Texas

The Grace Museum proudly presents “Citizens at Last: The Woman Suffrage Movement in Texas,” an exhibition produced by Humanities Texas, the state affiliate of the National Endowment for the Humanities. “Citizens at Last” is made possible in part by a We the People grant from the National Endowment for the Humanities. The ratification of the Nineteenth Amendment in 1920 ended Citizens at Last: The Woman Suffrage Movement in Texas

Women’s Fashion Evolution: 1900s – 1920s, from the Permanent Collection

From the Gibson Girl to the Flapper, women’s fashion evolution from the early 1900s to the 1920s in the United States was due to new economic and social factors for women. These three decades were a defining time as many women fought for the right to vote, joined the work force during World War I, and changed the traditional social Women’s Fashion Evolution: 1900s – 1920s, from the Permanent Collection

Igor Melnikov: Dreamwatcher

Russian American artist, Igor Melnikov, challenges traditional associations with portraiture through his haunting paintings of emotionally ambiguous children isolated on a dark background. Although he often bases his paintings on children he knows, he also relies on old photographs as well as memories and dreams for details. He states that his main objective is not to record a likeness, but Igor Melnikov: Dreamwatcher

Sarah Ball: An Unlikely Likeness

British artist Sarah Ball is inspired by historical photographs but with a very different outcome. Using 19th and 20th century photographic archives of mug shots, Ball creates a series of intimate portraits of anonymous protagonists. Ellis Island immigrants, demonstrators and suspected criminals stare directly at the viewer.  The meticulously rendered, expressionless faces, taken out of context are arrestingly human. The Sarah Ball: An Unlikely Likeness

Paul Black: Carol

Photographer Paul James Black presents an intimate group of Polaroids and black and white photographs of only one person; his wife Carol. The photographs in the exhibition, Paul Black: Carol, were taken in the first two decades of their marriage and offer an intimate record into their private world in the 1960s and 70s. Carol is the only subject in Paul Black: Carol

Up Close and Personal: Portraits from the Reaves Collection of Texas Art

Bill and Linda Reaves have been avid Texas art collectors for over forty years, and together have assembled an outstanding collection of artwork by 20th century Texas artists. The Reaves Collection of Texas Art reflects the breadth and depth of the collectors’ knowledge of Texas art and artists. This exhibition features a selection of artworks from their private collection focusing Up Close and Personal: Portraits from the Reaves Collection of Texas Art